Giri\u015f<\/p>\n
Bug\u00fcn, T\u00fcrk tiyatro tarihine bakt\u0131\u011f\u0131m\u0131zda, 1960-1970 d\u00f6neminin \u00e7ok ayr\u0131 bir yeri ve en verimli d\u00f6nemlerden biri oldu\u011funu hi\u00e7 gocunmadan kabul etmek gerekir. D\u00f6neme bakt\u0131\u011f\u0131m\u0131zda Haldun Taner, Turgut \u00d6zakman, Aziz Nesin, Adalet A\u011fao\u011flu, Melih Cevdet Anday, Orhan Asena, R\u0131fat Ilgaz, Recep Bilginer, Vas\u0131f \u00d6ng\u00f6ren, Ayd\u0131n Engin, Erol Toy, Necati Cumali, Turan Oflazo\u011flu, Refik Erduran ve Sermet \u00c7a\u011fan gibi isimlerin yazar ve (kimilerinin) y\u00f6netmen olarak aktif bir \u015fekilde \u00fcretti\u011fini g\u00f6r\u00fcyoruz.<\/p>\n
Yine bu d\u00f6nemde epik tiyatro, T\u00fcrk tiyatrosunu belirgin bir d\u00fczeyde etkilemi\u015f, yazarlar geleneksel T\u00fcrk tiyatrosu ile epik tiyatro kuram\u0131n\u0131 harmanlad\u0131\u011f\u0131 metinler kaleme alm\u0131\u015f ve bu \u015fekilde sahnelemeler yapm\u0131\u015ft\u0131r. Epik tiyatronun tam da 60-70 d\u00f6neminde tiyatroyu (ve daha da geni\u015f anlam\u0131yla sanat\u0131) etkilemesi rastlant\u0131sal bir durum de\u011fil. Piscator\u2019un politik tiyatro anlay\u0131\u015f\u0131ndan etkilenen Brecht\u2019in ortaya koydu\u011fu epik tiyatro anlay\u0131\u015f\u0131 Almanya\u2019da 1930\u2019lu y\u0131llarda g\u00f6r\u00fclmeye ba\u015flanm\u0131\u015ft\u0131r. Aradan otuz y\u0131l ge\u00e7tikten sonra T\u00fcrkiye\u2019de yer bulmas\u0131, 1960\u2019l\u0131 y\u0131llar\u0131n politik ortam\u0131n\u0131n bu tarz eserlerin yaz\u0131l\u0131p sahnelenmesine uygun zemin olu\u015fturmas\u0131d\u0131r.<\/p>\n
Zira epik tiyatro, insan\u0131 toplumsal \u00e7eli\u015fkiler \u00fczerinde d\u00fc\u015f\u00fcnmeye iter. T\u00fcrkiye siyasi tarihine bakt\u0131\u011f\u0131m\u0131zda, bu d\u00f6nemin s\u0131n\u0131flararas\u0131 \u00e7at\u0131\u015fmalar\u0131n yo\u011fun bir bi\u00e7imde ya\u015fand\u0131\u011f\u0131, siyasal iklimin farkl\u0131 y\u00f6nden esti\u011fi bir d\u00f6nem oldu\u011funu, dolay\u0131s\u0131yla s\u0131n\u0131f \u00e7eli\u015fkilerinin g\u00fcndemde oldu\u011funu s\u00f6yleyebiliriz. 27 May\u0131s sonras\u0131nda yeni bir sol ku\u015fa\u011f\u0131n alana girmesi, T\u00fcrkiye sol hareketinin en g\u00fc\u00e7l\u00fc d\u00f6nemlerinden birini ge\u00e7irmekte olmas\u0131, ayd\u0131nlar\u0131n, gen\u00e7lerin, kad\u0131nlar\u0131n, \u00f6\u011frencilerin, i\u015f\u00e7ilerin sol bir siyasal mecraya akt\u0131klar\u0131n\u0131 g\u00f6rmekteyiz. Dolay\u0131s\u0131yla toplumsal ve siyasal \u00f6rg\u00fctlenme oran\u0131n\u0131nda olduk\u00e7a y\u00fcksek oldu\u011fu bu d\u00f6nem sanatsal \u00fcretimi de etkilemi\u015ftir. B\u00f6yle bir tabloda, toplumsal sorunlara duyarl\u0131 tiyatrolar\u0131n \u00e7o\u011falmas\u0131 Brecht\u2019in \u201cEpik Tiyatro\u201d anlay\u0131\u015f\u0131ndan etkilenmeyi de beraberinde getirmi\u015ftir.<\/p>\n
…<\/p>\n
Yaz\u0131n\u0131n devam\u0131n\u0131 Hukuk Defterleri’nin 14. say\u0131s\u0131nda okuyabilirsiniz.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":" Giri\u015f Bug\u00fcn, T\u00fcrk tiyatro tarihine bakt\u0131\u011f\u0131m\u0131zda, 1960-1970 d\u00f6neminin \u00e7ok ayr\u0131 bir yeri ve en verimli d\u00f6nemlerden biri oldu\u011funu hi\u00e7 gocunmadan kabul etmek gerekir. D\u00f6neme bakt\u0131\u011f\u0131m\u0131zda Haldun Taner, Turgut \u00d6zakman, Aziz Nesin, Adalet A\u011fao\u011flu, Melih Cevdet Anday, Orhan Asena, R\u0131fat Ilgaz, Recep Bilginer, Vas\u0131f \u00d6ng\u00f6ren, Ayd\u0131n Engin, Erol Toy, Necati Cumali, Turan Oflazo\u011flu, Refik Erduran ve […]<\/p>\n","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[176],"tags":[],"class_list":["post-3385","post","type-post","status-publish","format-standard","hentry","category-sayilar-14"],"_links":{"self":[{"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=\/wp\/v2\/posts\/3385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3385"}],"version-history":[{"count":0,"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=\/wp\/v2\/posts\/3385\/revisions"}],"wp:attachment":[{"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hukukdefterleri.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}